Tuesday, 19 March 2013

The history of St Fagan's Museum of Welsh Life


St Fagans, Cardiff

The museum is next to cardiff ; he says the story of the cultural héritage in Wales.St Fagans is situated on the land of a beautiful castle which has 400years old.
The museum Opens at 10am and closes at 5pm daily ;
St Fagans is one of Europe's leading open-air museums and Wales's most popular heritage attraction. It stands in the grounds of the magnificent St Fagans Castle, a late 16th-century manor house donated to the people of Wales by the Earl of Plymouth.
The interior of the castle illustrates the history of the house throughout four centuries. As well as original furniture, some of the finest pieces from the Museum’s collections from other houses are also displayed. Originally built in 1580, much of the interior was re-modelled during the 19th century ;
St Fagans Castle is a Grade 1 listed building and one of the finest Elizabethan manor houses in Wales.


The gardens are perhaps the best-kept secret at St Fagans, from those of the gentry to the cottage gardens that provided food for working families.
Beautiful garden displays surround the Castle including an Italian Garden (laid out in 1902, restored in 2003) and thyme garden, while there are many features original to the site.

The idea of the museum is that St Fagans explores all aspects of how people in Wales have lived, worked and spent their leisure time. Throughout the year, St Fagans comes to life — literally — as traditional festivals, music and dance events are celebrated. St Fagans is a park, which inform us on the cultural heritage of Wales.
The museum tells us about the traditions and culture of Wales


On 20th July 2012, the Heritage Lottery Fund announced that it is awarding £11.5 million to St Fagans' National History Museum. The money will go towards « Making History », the exciting £25.5 million project to transform this much-loved museum.
For the first time, you will be able to explore life in Wales from the earliest humans to today in St Fagans.

by Quentin BRAEMS

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